That’s when they released the Tangent Wave 2. Tangent released the first generation Wave panel around 2010 and it took another eight years to realize that people want color correction panels but don’t want to spend a lot of money. So if you bounce around between apps that one isn’t for you. Blackmagic sells its Mini panel for just under $3,000, but it only works with Resolve. I love the Tangent Elements panel, but at just under $3,500 they aren’t cheap, and I can understand how a lot of people could be put off - plus, it can take up your entire desktop real estate with four panels. Tangent has one of the most popular sub-$3,500 set of panels used constantly by editing pros: Tangent Elements. Before I dig in, I need to note that it only works with Avid if you also use the FilmLight Baselight for Media Composer plugin. One of those options is the Tangent Wave, which is at the bottom end of the price range. Not to mention they can cost $30,000 or more… yikes! So if you can’t quite justify the $30,000 for a dedicated color correction panel don’t fret. Those are amazing and take a long time of repetitive use to really master (think Malcolm Gladwell’s 10,000 Hour Rule). You may have seen the professional color correction panels like the Blackmagic DaVinci Panel or the Filmlight Blackboard 2 panel for Baselight. If you want to become the most efficient colorist you can be, you need an external hardware color panel (clearly we are talking to those who provide color as part of their job but not as their job). Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes?
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